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John Lennon helped transform the art and image of the pop star. His very public political activism and socially and politically aware lyrics have earned him a prominent place in the creative and political history of rock.

Despite its ambitious concept, Cut Worms' Nobody Lives Here Anymore is as much a product of nostalgic consumer culture as the society it criticizes.

The Lone Bellow's live performance was a pleasurable distraction in the middle of a pandemic. But I had forgotten how to attend a ticketed concert.

George Marshall's western spoof, Destry Rides Again , has a serious central premise; can society function without the threat of violence?

What It Is , the new album from multi-instrumentalist, producer, and Quantic collaborator Sly5thAve, represents a triumph of musicianship over genre conventions.

Though marvelous at executing their musical ideas on Matriphagy , nu-metal's Tallah sacrifice creativity for fidelity. The third album by the impossible-to-categorize no-wave duo Budokan Boys is a meditation on death filled with songs that are both strange and strangely moving.

California singer-songwriter Rick Shea, whose credits include stints with Dave Alvin and Chris Gaffney delivers a dispatch on life of this most trying of years,

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Despite its ambitious concept, Cut Worms' Nobody Lives Here Anymore is as much a product of nostalgic consumer culture as the society it criticizes.

The Lone Bellow's live performance was a pleasurable distraction in the middle of a pandemic. But I had forgotten how to attend a ticketed concert.

George Marshall's western spoof, Destry Rides Again , has a serious central premise; can society function without the threat of violence?

What It Is , the new album from multi-instrumentalist, producer, and Quantic collaborator Sly5thAve, represents a triumph of musicianship over genre conventions.

Though marvelous at executing their musical ideas on Matriphagy , nu-metal's Tallah sacrifice creativity for fidelity. The third album by the impossible-to-categorize no-wave duo Budokan Boys is a meditation on death filled with songs that are both strange and strangely moving.

I wouldn't have twigged the Austen connection if you hadn't started the piece with that exact sentence. I wait in breathless suspense for a Heyer plot to make an appearance in the post-industrial ruins: I must admit I am not a romance reader, other than Austen and Heyer, so have nothing to offer there that you are not all over already, and furthermore have to confess I am not generally a fan of sci-fi, fantasy, or indeed post-industrial future fiction scenarios, but what I LOVED about this story is the irreverent tone of extreme hilarity.

There is just not enough post-industrial comedy around.. Have you read O. Henry's short stories? I am getting a little flavour of him here, a real sense of the land you are writing about.

What about a collection of short stories or novellas linked together by that landscape, or even a set of short stories with the plot device of the travelling theatre troupe turning up in a number of different towns?

Or, a set of stories exploiting the tropes of different genres but in post-industrial settings? You've already done romance, now you could do classic crime.

Agatha Christie's Body in the Library.. Actually AC did her own masterful example of cross-genre writing in Death Comes as the End - Ancient Egyptian historical novel with bodies and much sleuthing.

All the best with your current editing project - I am doing the same right now, it is painful but probably good for my character development or something.

Your ideas for a generating a series of novellas with a light-hearted, or intellectual crime tone are very workable, I believe.

I think it is possible to go Heyer one better by creating characters, settings, and situations that pose real-life issues that can be resolved not only by a Great Love but by love, period: love of children, of pets, of liberty, of community, of the land — and on and on.

There is a great deal to love and a considerable deal to drag us down in this old world. And you have touched on an idea I have long wanted to work out: the travelling theatre troupe that comes into town or village and helps the people there to resolve some hard knot of emotional tension by means of their dramatic improvisational skill.

Did you know, that was what the Commedia della Arte actually did in its heyday? I agree with the need for more humor in post-indy art.

Comedy has a more cathartic effect on me than tragedy. It is, alas, much harder to write. Once I have put this Big Novel to bed I will take up the challenge and look about me for a way to implement a series.

However, being a bit of a dull elf myself, I am going to ask the community to suggest themes and problems as seed crystals for my mind to work on.

Sort of like a Mad Lib. It would be fun just to hear the kinds of problems people come up with and fun to try to solve them. Henry can be mad-libbed as well.

This could be a fertile field of comedic invention. I have discovered this in my first novel attempt.

I have had to delete several scenes that dipped perilously close to the histrionic. So deliciously easy to write, though..

Restrained satire a la Austen is very, very good. I also very much appreciate comedy teetering on the edge of tragedy, or comedy applied to serious subjects.

I think Pratchett did that so well in Thud and Snuff where he explored the themes of religion and slavery respectively and also parodied Austen and classic crime fiction so satisfactorily in Snuff.

Anyways, your comedy is marvellous. Don't stop! I just remembered an old story I was never able to place for publication, called Survivial Trait.

It has a lot of wisecracking humor you might like. I posted it just now on my web page if you want to read it.

It has some funny lines you might get a giggle out of. Great Nanna is adorable, and so are the monsters. The shrieking one powerfully reminded me of one of my daughters, age 4.

Everything about this story is perfect, and everyone should read it:. I guarantee that this will be a lovely interlude and panacea to all the hideous news flying around the internet right now.

Ok, so let's talk about Survival Trait. For a start, the INTJ thing is a hoot. I am pretty sure my partner is an INTJ but haven't brought it up yet because life is too short.

He would totally volunteer for a solo mission to Pluto. He would finally be able to settle to some coding then without anyone interrupting him he already lives in a cabin on a mountain and doesn't see another human being for a week at a time.

But still, people phone him. The nerve! I like this story. I like that the plot turns on the development of the protagonist. I like that she is 2.

Ceilings must be higher in the future. I was again a little confused by the opening scenes. I guessed that the story was set on the moon, because the moon is mentioned frequently, but on re-reading i see there is a beach.

I guess there is not much beach on the moon. Although if the moon had been terraformed, there could be beaches, which could very convincingly be called New Tampa..

There are so many world building possibilities that literally anything can happen at any time. Same with fantasy. Deus ex machina all over the place, unless the limitations of the putative world are very sharply defined.

I am an INFP and create internal turmoil in the mind of my poor dear partner all the time. So far it works because we live a half hour's drive from each other.

Greetings, and thanks for the feedback on Survival Trait. LOL about the high ceilings. Yes, there has been a lot of destruction on Earth at the time of the story and people have mutated a lot due to radioactivity and other stresses.

Lots of different shapes of people which is why Angel seems unremarkable among the biker crowds. People on the Moon tend to grow really tall and thin like the plants they grow there, and have trouble adapting to Earth gravity when they manage to wangle a trip home.

Their bones settle and they ache and stoop a lot until they rebuild muscle mass; but buildings are adapted to people by people, for people, so high ceilings help with high heat in an uncomfortably tropical world.

Also they are rock solid and immovable when they feel themselves to be doing what is right. I do not know what I am, I have never been tested.

I am so pleased that you like Monster Soup. That is one of the Talurian Tales from the same world as the Gladdis of Rowanswood stories.

I am still working on content editing for the Big Novel in that series and have not managed to get out to wattpad yet.

One of my email services locked me out of my account for no reason and that has taken time and snarling too. Oh, and I just discovered that the graphics program I use called GIMP does not have a color model suitable for print production!!!

All that work I did on the Novel to create artistic chapter headings and they are only good for e-book distribution! This business of self-publishing is a lot of work.

Hi, Teresa, this is very helpful info for me and other writers. I already have you and Bill bookmarked somewhere because I have long enjoyed his footnotes to Dorothy L.

Now I know where to go to read your current output, so thanks for that. The pleasure will have to wait just a bit because I am tearing my hair out at present over the unexpected issues I found during Content Editing of my Big Novel pgs at last est.

You never said a truer word about doing all the work a trad publisher does! I will have half a million questions to ask Joel when he sets up his Author website, and I will try to soak up some of your confidence and methods for outreach when I finally have the text whipped into shape.

My book design is crude but serviceable; my leading is tight and my plots are loose; but by crackey, I WILL get this thing into the public eye someday soon!

Thanks so much for providing a handle to hold and blazing a trail for all of us in this wild new frontier that publishing has become.

Do you think any of your previous romance works could be re-printed in a collection of the sort Blueday Jo described?

Or would your Press be interested in collating romance works that premiere here or on Wattpad, for a hefty percentage of the sale price?

But there may be too many formating problems with a bewildering variety of digital platforms, etc. Just trying to think of ways to meet a market 'demand' that already exists and at the same time get ideas into the world of how to cope with deindustrial decline in a loving way.

We've got too many projects to publish anyone outside of our household. We've got projects going out for ten years as Agatha Christie and Dorothy Sayers come out of copyright.

In addition, I've got some novels in 'The Steppes of Mars' roughly blocked out, plus there's that other space opera series 10 books in all that I've got roughly outlined.

And, we're prodding Dear Daughter to get the lead out and get that encyclopedia of Cryptids done and, and, and. The real problem with publishing someone else isn't the time though.

It's the contracts. We'd be taking a huge risk printing anyone else because there's never any guarantee that we'd make money. We can't pay an advance.

We'd still be on the hook for covers, editing, layout, blurbs, marketing, etc, etc, and our time. If the book doesn't sell, we lose much more.

We lose money that could have been spent on our own pitiful efforts. Traditional publishers have plenty of overhead bills to pay. They count on blockbusters to pay for the rest of the line.

Because traditional publishers hold onto your rights they learned because they lost tons of money when ebooks were developed , if, decades later, your novel turns into a blockbuster movie, they make the money.

Not necessarily you. Let me take a moment now and say an advance is a LOAN against future royalties. If the book doesn't sell and you don't earn out, you'll never see another penny from the publisher.

You'll also never get as large an advance again. You may, if your book sells poorly, never get another contract with that publisher under that name.

Kris Rusch writes a 'business of writing' column every Thursday. She's excellent and is well worth reading her back issues, especially about contracts, negotiating with agents, and intellectual property.

She can be long-winded but she really knows her stuff. Once you get an idea about intellectual property, you'll understand how much money there is floating around and why you need to maintain control of your rights.

As to editing. Don't pay an editor to fix penny mistakes. Run spellcheck. Run grammar check. Print the manuscript out double-spaced and edit with a red pen.

It will look different than it does on a screen and you can see some mistakes better. Read the manuscript again on an ebook for the same reason.

You'll catch different mistakes. Read the manuscript out loud, making sure you say each word. If the dialog sounds wrong read aloud, fix it.

Beta readers can be useful if you get someone who reads in your genre and is willing to read the manuscript closely AND tell you what they thought didn't work.

Make a style sheet with all your character names, place names, specialty words, relationships between characters, etc so YOU have a definitive list of who, what, when and where in the manuscript.

Editor will want to see this, by the way. Once you've done all the self-editing you can do, then you may want to pay for professional editing.

Get recommendations! Get references! Don't use an editor who doesn't work in your genre because they won't know the tropes. Don't take the editor's responses as correct.

They may not be. Do not, do not, do not ever use 'Global Accept'. If Editor made mistakes, you just accepted them.

As tedious as it is, you have to read the entire manuscript again, accepting or refusing each and every one of Editor's suggestions.

My husband edits me and we have long, boring talks about our relationship and the manuscript. I do NOT feel duty bound to accept every one of his suggestions.

Sometimes, he just doesn't get what I'm going for. Other times, I can see that since HE doesn't understand, I need to rewrite.

It does help, and as far as I can tell at my stage of the process is entirely accurate. If it helps fellow writers to know this, Jane Austen herself sometimes felt a kind of disgust with her writing.

This is a phase we all have to pass though, I fear. A Tramp's Notebook Morley Roberts. Voyage of the Liberdade Captain Joshua Slocum.

Historic Tales, Volume 11 of 15 Charles Morris. Derived forms of ruinous ruinously , adverb ruinousness , noun. Write Better With Synonym Swaps!

Try Now.

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